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Sanglap: Journal of Literary and Cultural Inquiry (ISSN: 2349-8064)
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  3. Vol. 6 No. 2 (2020): Genres in Literature

Vol. 6 No. 2 (2020): Genres in Literature

					View Vol. 6 No. 2 (2020): Genres in Literature
Published: 2021-11-10

Articles

  • Thinking across Time, Genre and Culture: Theorizing the Superhero in a “More than Global” World

    Aditya Misra
    1-14
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  • The Emergence of Rupkatha as a Literary Genre in the Late Nineteenth and Early Twentieth Century Bengal: A Historical Enquiry

    Amrita Chakraborty
    15-23
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  • Reclaiming and Asserting Human Rights in Testimonio Genre: A Critical Study

    Anindita Sen
    24-36
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  • James M. Cain and the Naturalistic Hardboiled

    Florian Pichon
    36-49
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  • Intimacy and the Aesthetic of “Litter” Writing: Epistolary Renarrativisation in Georgina Kleege’s Blind Rage: Letters to Helen Keller

    Krishna Kumar S
    50-61
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  • Women’s ‘Defence-Narrative’ and its Role in the Formation of the Novel

    Subhasish Guha
    62-71
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  • The Postcolonial Galaxy or a Galactic Postcoloniality: New Dynamics of Power in Isaac Asimov’s The Naked Sun

    Subhayu Bhattacharjee
    72-84
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  • “Give it a definite literary flavour”: Humphry House’s Experiments with the Pamphlet as Genre

    Sujaan Mukherjee
    85-99
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Reviews

  • Leela by Navtej Bharati and Ajmer Rode: (Language: Punjabi), Second edition, 2019, Basant Foundation (Canada) and Autumn Art (India), Rs 995; $ 49.95.

    Rajesh Sharma
    100-104
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Sanglap

Announcements

CFP for Sanglap 11.2 on Politics of Waterscapes

April 3, 2024

CFP for Sanglap 11.2

We draw from this use of the term and want to explore how water has been commodified or enclosed for profit as a resource, generating complex power dynamics. Issues of access in terms of caste, race, or gender related discrimination have also mobilised conversations around pitching water at the centre of discussions for community and economy. In many cases, these thinkers have gone to literature to support their arguments, as literary scholars have argued for water’s significance for community building and historical documentation. Water’s agentic power has also made recent incursions into critical studies where questions of fluidity and power have led to the emergence of the subfield, ‘blue humanities’.

It is this framework of understanding water as a source of energy, resource, commodity, as well as philosophy, politics, and culture that we wish to explore in this issue through studies of how water is represented in literature and culture. Recent and burgeoning work on hydropolitics, riparian fiction, liquid modernity allows to think where we stand with the question of water in literature as we enter the second quarter of the 21st century.

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