Fyataru
Abstract
Be it Irfan or Mandol’s, whosoever’s country liquor-shack it is, there are days when there is no sense of control in anyone.
Be it Irfan or Mandol’s, whosoever’s country liquor-shack it is, there are days when there is no sense of control in anyone.
Sourit Bhattacharya is a doctoral candidate in English and Comparative Literary Studies at the University of Warwick. He works in historical crisis and literary realism in the twentieth-century Indian novel. His broader areas of interest include colonial and postcolonial studies, especially South Asia and Southern Africa, world literature, environment studies, materialist aesthetics, and crime fiction.
CFP for Sanglap 11.2
We draw from this use of the term and want to explore how water has been commodified or enclosed for profit as a resource, generating complex power dynamics. Issues of access in terms of caste, race, or gender related discrimination have also mobilised conversations around pitching water at the centre of discussions for community and economy. In many cases, these thinkers have gone to literature to support their arguments, as literary scholars have argued for water’s significance for community building and historical documentation. Water’s agentic power has also made recent incursions into critical studies where questions of fluidity and power have led to the emergence of the subfield, ‘blue humanities’.
It is this framework of understanding water as a source of energy, resource, commodity, as well as philosophy, politics, and culture that we wish to explore in this issue through studies of how water is represented in literature and culture. Recent and burgeoning work on hydropolitics, riparian fiction, liquid modernity allows to think where we stand with the question of water in literature as we enter the second quarter of the 21st century.