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Sanglap: Journal of Literary and Cultural Inquiry (ISSN: 2349-8064)
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  3. Vol. 2 No. 2 (2016): Censorship and Literature

Vol. 2 No. 2 (2016): Censorship and Literature

					View Vol. 2 No. 2 (2016): Censorship and Literature
Published: 2021-10-28

Articles

  • Censorship and Literature:

    Sourit Bhattacharya , Arka Chattopadhyay
    1-22
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  • The Nation and its Discontents: Depicting Dissent during the Emergency

    Supurna Dasgupta
    23-52
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  • Subjectivity and the “Shocking”: Walter Pater: Oscar Wilde and Ethical Limits of Pleasure

    Ashmita Mukherjee
    53-76
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  • Gazing into the Mirror: Censorship and Self-censorship in Early Gay Australian novels

    Jeremy Fisher
    77-97
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  • Commodification of Censorship in Iranian Writing in English

    Sanaz Fotouhi
    98-126
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  • “…like an egg without salt”: On Joyce’s Scandal Works

    Dipanjan Maitra
    127-151
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  • Is Critique “Universal”?: Swift’s Drapier’s Letters and the Possibility of Universal Public Reason

    Suvendu Ghatak
    152-169
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  • Mum’s the Word: Heteronormative Indian Society and the Censorship of Single Unwed Mothers

    Madhurima Das
    170-192
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  • The Censor’s “filthy synecdoche”: Samuel Beckett and Censorship

    Martin Schauss
    193-216
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  • “Not in Our Good”: Nationalist and other Concerns in the Censorship Debates in Early Indian Cinema.

    Binayak Bhattacharya
    217-235
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Reviews

  • Book Review: Revolutionary Pamphlets, Propaganda and Political Culture in Colonial Bengal

    Aritra Chakraborti
    236-244
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Sanglap

Announcements

CFP for Sanglap 11.2 on Politics of Waterscapes

April 3, 2024

CFP for Sanglap 11.2

We draw from this use of the term and want to explore how water has been commodified or enclosed for profit as a resource, generating complex power dynamics. Issues of access in terms of caste, race, or gender related discrimination have also mobilised conversations around pitching water at the centre of discussions for community and economy. In many cases, these thinkers have gone to literature to support their arguments, as literary scholars have argued for water’s significance for community building and historical documentation. Water’s agentic power has also made recent incursions into critical studies where questions of fluidity and power have led to the emergence of the subfield, ‘blue humanities’.

It is this framework of understanding water as a source of energy, resource, commodity, as well as philosophy, politics, and culture that we wish to explore in this issue through studies of how water is represented in literature and culture. Recent and burgeoning work on hydropolitics, riparian fiction, liquid modernity allows to think where we stand with the question of water in literature as we enter the second quarter of the 21st century.

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